dancer. choreographer. researcher.

As an American-born daughter of south Indian immigrants, I value hybridity. Using the traditional lexicon of Bharatanatyam, I tell stories that extend beyond place, culture and mythology to touch on the universal human condition.

My choreography involves two major veins of exploration: animating the percussive footwork of Bharatanatyam through rhythmic isolation and improvisation, and abstracting gestural storytelling to open the cross-cultural expressive potential. In both these veins, I deconstruct the form, teasing apart the tightly woven layers of Indian dance so that contemporary audiences and media can more deeply engage.

In parallel to expanding the classical into contemporary, I expand data and analytics as a Principal Researcher / Director of Wastewater Research at Mathematica — a career that has allowed dance to remain a sacred, artistic pursuit, free from commercial pressures.

INNOVATION

Highlights of original works commissioned by the North Carolina Dance Festival and Dance ARĪS (Artist Residency in the Smokies). Set to original music — an electronic interpretation of a Hindu chant that captures the contrasting qualities of fierceness and beauty embodied by the goddess Devi.

 

IMPROVISATION

“Im-Pulse” is an audience improvisation spotlighting the dynamic rhythmic cadences that emanate from the footwork of Bharatanatyam dance. Created for the 30th anniversary of the North Carolina Dance Festival.

TRADITION

Featuring two original choreographic works that premiered at the Asheville Fringe Festival. Matrabandh (“joining of elements”) highlights the abstract, layered components of Bharatanatyam dance — the rhythmic footwork, hand gestures, and neck and shoulder isolations — while Bhaja Govindam (“speak the name of the Lord”), based on the philosophical teachings of 8th century theologian Adi Shankaracharya , highlights the narrative storytelling (and is set to music my mother sang to me as a lullaby).

ADMINISTRATION

In 2016, I co-founded the Dance Artist Residency in the Smokies, or Dance ARĪS (pronounced "arise" to invoke the morning fog rising in the Smoky mountains). The residency, created by dancers, for dancers, was sponsored by the Haywood County Arts Council and brought diverse talent from around the U.S and Canada to the mountains of Western North Carolina. This video is a compilation of performances from the inaugural residency year., which took place at the Haywood Arts Regional Theater (HART) in Waynesville.

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EVENTS

Select Performances / Lectures / Residencies / Exhibitions / Commissions

THE ASHEVILLE SCHOOL, nc
MAR 2024

Instructor and lecturer.

Warren Wilson college, nc
OCT 2023

Lecture-demonstration for Music Cultures course.

Martha Bennett Gallery, mn
2022 - 2023

Video exhibition of original music, choreography, and performance.

d’Art Center, VA
2022

Divulge exhibition.

NORTH CAROLINA Dance Festival

2021

Residency & performance of original choreography.

FULBRIGHT 75 ARTIST SHOW
2021

Video exhibition of original choreography & performance.

Rubenstein Art Center, NC
2020

Video exhibition at Duke University.

Black Mountain College + Arts Center, nc
2019

Performance for ReVIEWING 11

DANCE ARTIST RESIDENCY IN THE SMOKIES, nc
2016-2017

Performance of original choreography in Waynesville.

third life studio choreographer series, ma
2013

Performance of original choreography.

National Museum for Women in the Arts, d.c.
2011

Performance of original choreography.

American Academy in Rome, ITaly
2011

Performance at the Villa Aurelia.

U.S. Fubright Foundation, india
2006

Performance of traditional Bharatanatyam.​